Safety vs. functionality: looking for the best headphones to use in a factory Expedition HVC

07.01.2021 at 17:39 by Roel Bolhuis


The new temporary exhibition in House of European History is 'under construction' Fake for Real

07.01.2021 at 17:32 by Tsur Reshef


The last steps before the Coronel Pavilion at the Portuguese-Israeli Cemetery Beth Haim is opened! Coronel pavilion

29.11.2020 at 14:30 by Remco Swart


All in good hands with Fiction Factory Museum of the Mind

07.11.2020 at 17:32 by Femke Bijlsma


"Who Cares?" The first model for a personal story in the upcoming exhibition on the Mind Museum of the Mind

20.08.2020 at 11:45 by Robert van der Linde

Visiting Paleis Het Loo together with Ina, to get an impression of the new exhibition spaces that are currently under construction. Het Loo palace

22.06.2020 at 14:08 by Robin Schijfs


Last trip before Corona Lockdown: Usomo from Berlin calibrating their audio tracking system in the Polder of Texel next to the bunker. Torn Island

22.06.2020 at 10:32 by Michel de Vaan

How to become invisible? Prototyping together with WeTheCurious at Bruns Project What If

17.03.2020 at 15:33 by Ina Meininghaus


Prototyping a rainbow crystal sphere for one of the new exhibit constellations at WeTheCurious. Project What If

12.03.2020 at 09:51 by Ina Meininghaus


Workshop at IJsfontein together with the Museum of the Mind - Work in Progress Museum of the Mind

06.02.2020 at 12:26 by Julia Meyerrose


Typo test for Museum of the Mind Museum of the Mind

23.01.2020 at 09:19 by Sietske Sips


Julia sketching for the new permanent exhibition at the Museum of the Mind Museum of the Mind

22.12.2019 at 15:43 by Lieke Ketelaars


Walk-in interactive sound space demonstration by Usomo in our office in Amsterdam... Torn Island

16.12.2019 at 15:10 by Mark de Jong


David Vroom is taking new portrait images for our new website... In progress…

10.12.2019 at 15:10 by Lieke Ketelaars


This is the Introduction pavilion for the Beth Haim cemetery in TAPE Coronel pavilion

10.12.2019 at 10:05 by Herman Kossmann


Doing some research for a new project ;-) In progress…

19.09.2019 at 09:50 by Maaike Sips


Plastic Fantastic: the collection is being installed for the new exhibitions at Naturalis Life

16.08.2019 at 10:29 by Remco Swart


Alejandra trying out the seasonal viewers in The Story of Gardening Museum! The Story of Gardening

10.07.2019 at 11:22 by Elise van Wolfswinkel


Coronel pavilion

Beth Haim cemetery, Oudekerk aan de Amstel (NL)

At a 30 minutes beautiful bike ride away from Amsterdam, in the centre of Ouderkerk aan de Amstel, is Beth Haim, one of the oldest Sephardic cemeteries in the world. Here lie the graves of more than 28.000 members of the Portuguese Jewish community of Amsterdam. While the oldest graves date from the 17th century, new ones are still added today. In this way, Beth Haim – Hebrew for ‘House of Life’ – spans more than four centuries of Jewish history on four hectares of ground.

Oudekerk aan de Amstel (NL)
Stichting Cultureel Erfgoed Portugees-Israëlietische Gemeente
40 m2
Research, Concept, Spatial design, Graphic design
Herman Kossmann, Jan Loerakker, Lea Olsson, Martijn Sas, Alejandra Calderon, Remco Swart, Sietske Sips
Aalberts Bouw

Glaze development

Brass and fencing
Smederij Cuiper

Gouda Natuursteen
Teun van der Heide
Studio YiPP
Tungsten Projects, direction Martin Grootenboer
Content Development
Tirsah Levie Bernfeld, David Cohen Paraira
Exhibition elements and AV hardware
4Visualization, Valentin van Hecke
Accessible to the public 

Kossmanndejong, together with Loerakker Olsson Architects, has made most of the plans to make this special cemetery more accessible to the public. Paths have been mowed through the downy landscape and new benches have been placed at beautiful resting spots. Stairs and bridges make the formerly cut-off parts of the historic cemetery more accessible. A free to download app developed by YiPP brings to life the stories about the most crucial tombs.


A visitor’s pavilion ties all the ends of the story together. For this pavilion, exterior, interior, architecture, and exhibition design are intertwined. The pavilion relates in colour and material to the historical environment but gives it a contemporary interpretation through the rounded corners and the broken masonry. The circular shape also symbolises the continuity of life and death. A large relief map, milled from marble, has been included in the outer façade. Spaces have been spared from the outer structure to rest, ritually wash hands or to take a kippah.

Behind the Cap Stone

The visitor enters a light, almost magical world of white glazed stone. The elongated screen with the specially made introduction film looks like a narrating window on the cemetery behind it. On the opposite side, you see three explanatory 3D models. One, for example, shows how many graves have sunk into the ground over the years. In another display case, a 1:1 detail of one of the hundred 3D scanned tombstones, milled in Carrara marble, can be seen.

The transience of life

The starting point of the design was to allow the transience associated with this historic cemetery to be reflected in all the materials used: the broken masonry in the facade, the soft natural stone elements, the weathered brass of the entrance doors, the roof construction of untreated solid oak and the benches of the same wood. All the elements join in harmony to honor the beauty and decay that come with life. The interior pays tribute to the name ‘House of Life’ with its light space and large skylight. An ever-changing, sparkling world that – with its craquelé, ivory-glazed tiles – plays with the light.