WELCOME TO THE BACKSTAGE
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This is the Introduction pavilion for the Beth Haim cemetery in TAPE Coronel pavilion

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BROUGHT
TO LIFE

Coronel pavilion

Beth Haim cemetery, Oudekerk aan de Amstel (NL)

At a 30 minutes beautiful bike ride away from Amsterdam, in the centre of Ouderkerk aan de Amstel, is Beth Haim, one of the oldest Sephardic cemeteries in the world. Here lie the graves of more than 28.000 members of the Portuguese Jewish community of Amsterdam. While the oldest graves date from the 17th century, new ones are still added today. In this way, Beth Haim – Hebrew for ‘House of Life’ – spans more than four centuries of Jewish history on four hectares of ground.

Location
Oudekerk aan de Amstel (NL)
Client
Stichting Cultureel Erfgoed Portugees-Israëlietische Gemeente
Year
2020
Surface
40 m2
Status
Permanent
Role
Research, Concept, Spatial design, Graphic design
Team
Herman Kossmann, Jan Loerakker, Lea Olsson, Martijn Sas, Alejandra Calderon, Remco Swart, Sietske Sips
Contractor
Aalberts Bouw

Glaze development
Albarello

Brass and fencing
Smederij Cuiper

Marble
Gouda Natuursteen
Furniture
Teun van der Heide
Landscape
Donkergroen
App
Studio YiPP
Film
Tungsten Projects, direction Martin Grootenboer
Content Development
Tirsah Levie Bernfeld, David Cohen Paraira
Exhibition elements and AV hardware
Flink
scans
4Visualization, Valentin van Hecke
Accessible to the public 

Kossmanndejong, together with Loerakker Olsson Architects, has made most of the plans to make this special cemetery more accessible to the public. Paths have been mowed through the downy landscape and new benches have been placed at beautiful resting spots. Stairs and bridges make the formerly cut-off parts of the historic cemetery more accessible. A free to download app developed by YiPP brings to life the stories about the most crucial tombs.

Gesamtkunstwerk 

A visitor’s pavilion ties all the ends of the story together. For this pavilion, exterior, interior, architecture, and exhibition design are intertwined. The pavilion relates in colour and material to the historical environment but gives it a contemporary interpretation through the rounded corners and the broken masonry. The circular shape also symbolises the continuity of life and death. A large relief map, milled from marble, has been included in the outer façade. Spaces have been spared from the outer structure to rest, ritually wash hands or to take a kippah.

Behind the Cap Stone

The visitor enters a light, almost magical world of white glazed stone. The elongated screen with the specially made introduction film looks like a narrating window on the cemetery behind it. On the opposite side, you see three explanatory 3D models. One, for example, shows how many graves have sunk into the ground over the years. In another display case, a 1:1 detail of one of the hundred 3D scanned tombstones, milled in Carrara marble, can be seen.

The transience of life

The starting point of the design was to allow the transience associated with this historic cemetery to be reflected in all the materials used: the broken masonry in the facade, the soft natural stone elements, the weathered brass of the entrance doors, the roof construction of untreated solid oak and the benches of the same wood. All the elements join in harmony to honor the beauty and decay that come with life. The interior pays tribute to the name ‘House of Life’ with its light space and large skylight. An ever-changing, sparkling world that – with its craquelé, ivory-glazed tiles – plays with the light.