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WELCOME TO THE BACKSTAGE

After all those days at home behind a screen, it is very nice to finally do some hands-on experimenting with projections and different layers of transparent fabrics... Nature

07.12.2021 at 17:33 by Pauline Fer

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Work in progress for a children's tour Work in Progress

25.11.2021 at 09:35 by Annika Jacobs

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Barefoot in an exhibition? Together with the Stapferhaus, we are looking at what this means for the perception of the visitors... Nature

24.11.2021 at 18:23 by Robin Schijfs

With a few kickoff days (and nights) in the mountains of Switzerland, we have firmly started the draft design for the new Nature exhibition at the Stapferhaus! Nature

30.09.2021 at 11:09 by Robin Schijfs

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Super exiting moment discovering the panels of the « 4 visions on the Anthropocene » box we made for the Vienna Biennal 2021! Work in Progress

12.05.2021 at 12:00 by Lea Chenot

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A big empty space, right before installing all exhibits at WeTheCurious! Project What If

01.02.2021 at 12:19 by Ina Meininghaus

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Safety vs. functionality: looking for the best headphones to use in a factory Expedition HVC

07.01.2021 at 17:39 by Roel Bolhuis

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The new temporary exhibition in House of European History is 'under construction' Fake (f)or Real

07.01.2021 at 17:32 by Tsur Reshef

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The last steps before the Coronel Pavilion at the Portuguese-Israeli Cemetery Beth Haim is opened! Coronel pavilion

29.11.2020 at 14:30 by Remco Swart

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All in good hands with Fiction Factory Museum of the Mind

07.11.2020 at 17:32 by Femke Bijlsma

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"Who Cares?" The first model for a personal story in the upcoming exhibition on the Mind Museum of the Mind

20.08.2020 at 11:45 by Robert van der Linde

Visiting Paleis Het Loo together with Ina, to get an impression of the new exhibition spaces that are currently under construction. Het Loo palace

22.06.2020 at 14:08 by Robin Schijfs

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Very slowly, the new 'inside' of the east wing of Het Loo Palace is becoming visible. Het Loo palace

22.06.2020 at 14:06 by Robin Schijfs

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Last trip before Corona Lockdown: Usomo from Berlin calibrating their audio tracking system in the Polder of Texel next to the bunker. Torn Island

22.06.2020 at 10:32 by Michel de Vaan

How to become invisible? Prototyping together with WeTheCurious at Bruns Project What If

17.03.2020 at 15:33 by Ina Meininghaus

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Prototyping a rainbow crystal sphere for one of the new exhibit constellations at WeTheCurious. Project What If

12.03.2020 at 09:51 by Ina Meininghaus

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Brainstorm sessions United Arab Emirates Pavilion

10.02.2020 at 14:58 by Alejandra Calderon

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Imagining a new interactive in Al Ain Oasis! House of Artisans

10.02.2020 at 14:46 by Alejandra Calderon

Behind
the Mystery

Geisha

Museum Volkenkunde, Leiden (NL)

In the exhibition ‘Geisha’, visitors encounter a highly controversial phenomenon and style icon from Japan’s elite culture. For the exhibition, we tried to find the right balance between the world renowned historical Japanese collection from the National Museum of Ethnology and the beautiful kimonos and objects on loan from a geisha house in Kyoto. Through a play with different perspectives and deploying interconnecting story layers, misunderstandings and prejudices around geisha are elucidated. The usually hidden world of geisha is made accessible to the public gradually by way of a measured presentation in which various elements are engaged with one by one.

Location
Leiden (NL)
Client
Museum Volkenkunde
Year
2014
Surface
800
Status
Temporary
Role
Concept, Spatial design, Graphic design
Team
Matt Vermeulen (lead), Herman Kossmann, Sietske Sips
Light design
HeinzLoopstra
Interactives
IJsfontein Interactive Media
Audio / AV
Kjeld Duits, Anthony Knight, Luis Patron, Invision, Van Bijnen BV
Realisation
Iris Vormgeving, Studio America, Vertical Vision
Development
Floor Scholte (museum Volkenkunde), Prof. Dr. Matthi Forrer
How we encounter geisha usually

To convey the story of geisha in a coherent way, we have laid out the exhibition thematically. Yoshifumi-san, the owner of a geisha house in Kyoto, introduces each room’s theme via a video screen. The first two rooms engage with geisha as icon, and her practice. Visitors see how we usually encounter geisha.

A world we never see

A connecting corridor subsequently functions as a transition space: via a cherry blossom hedge visitors enter the second part of the exhibition, in which the focus is on ‘the making of’ geisha. This is the world no one ever has access to. It is all about the endless training and dedication of young girls who want to enter into the profession. A women’s world full of seduction, mysticism and symbolism, kimonos, and above all a striving for absolute perfection.