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Safety vs. functionality: looking for the best headphones to use in a factory Expedition HVC

07.01.2021 at 17:39 by Roel Bolhuis

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The new temporary exhibition in House of European History is 'under construction' Fake for Real

07.01.2021 at 17:32 by Tsur Reshef

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The last steps before the Coronel Pavilion at the Portuguese-Israeli Cemetery Beth Haim is opened! Coronel pavilion

29.11.2020 at 14:30 by Remco Swart

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All in good hands with Fiction Factory Museum of the Mind

07.11.2020 at 17:32 by Femke Bijlsma

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"Who Cares?" The first model for a personal story in the upcoming exhibition on the Mind Museum of the Mind

20.08.2020 at 11:45 by Robert van der Linde

Visiting Paleis Het Loo together with Ina, to get an impression of the new exhibition spaces that are currently under construction. Het Loo palace

22.06.2020 at 14:08 by Robin Schijfs

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Last trip before Corona Lockdown: Usomo from Berlin calibrating their audio tracking system in the Polder of Texel next to the bunker. Torn Island

22.06.2020 at 10:32 by Michel de Vaan

How to become invisible? Prototyping together with WeTheCurious at Bruns Project What If

17.03.2020 at 15:33 by Ina Meininghaus

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Prototyping a rainbow crystal sphere for one of the new exhibit constellations at WeTheCurious. Project What If

12.03.2020 at 09:51 by Ina Meininghaus

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Workshop at IJsfontein together with the Museum of the Mind - Work in Progress Museum of the Mind

06.02.2020 at 12:26 by Julia Meyerrose

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Typo test for Museum of the Mind Museum of the Mind

23.01.2020 at 09:19 by Sietske Sips

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Julia sketching for the new permanent exhibition at the Museum of the Mind Museum of the Mind

22.12.2019 at 15:43 by Lieke Ketelaars

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Walk-in interactive sound space demonstration by Usomo in our office in Amsterdam... Torn Island

16.12.2019 at 15:10 by Mark de Jong

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David Vroom is taking new portrait images for our new website... In progress…

10.12.2019 at 15:10 by Lieke Ketelaars

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This is the Introduction pavilion for the Beth Haim cemetery in TAPE Coronel pavilion

10.12.2019 at 10:05 by Herman Kossmann

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Doing some research for a new project ;-) In progress…

19.09.2019 at 09:50 by Maaike Sips

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Plastic Fantastic: the collection is being installed for the new exhibitions at Naturalis Life

16.08.2019 at 10:29 by Remco Swart

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Alejandra trying out the seasonal viewers in The Story of Gardening Museum! The Story of Gardening

10.07.2019 at 11:22 by Elise van Wolfswinkel

Surviving Culture

Out of the Shadows

Jewish Historical Museum, Amsterdam (NL)

The overview exhibition ‘Wie niet weg is is gezien’ (Out of the Shadows), was on show at the Jewish Historical Museum in Amsterdam from 30 November 2010 until 8 May 2011. The exhibition explored the diversity of Jewish Holland after World War II through images, sound, film fragments, interviews and more.

Location
Amsterdam (NL)
Client
Jewish Historical Museum
Year
2010
Surface
200 m2
Status
Temporary
Role
Spatial design, Graphic design
Research and development
Carine Lacor, Bart Wallet
Project management
Hetty Berg
Film research
Gerard Nijssen
Editing
Erik Willems
Multi-screen and post-production
Itamar Naamani/Zootroop
Music
Big Orange
Interviews
Hetty Berg en Judy Schagen
Coordination
Martine Stroo
Photography and digital files
Peter Lange en Anton Kras
Audio-visual software and installations
VHS (Visual Hardware Services
Amsterdam lighting
Robert Jan Vos with Niels Bakker
Execution furniture and collage poster-reproductions
Fraai Metaal
Technical coordination and execution
Niels Bakker, Alex de Leeuw, Ruud Visser i.s.m. Allard Kaai, Hans de Moor, René Smulders, Rick van Soolingen, Bas Wierda
Judaïsm in the Netherlands after WWII

Subjects are the return after the war, emigration, the processing of the misery suffered, the picking up of connections with non-Jewish surroundings and new trajectories within Jewish society. How did Jewish people pick up their lives again in the first decades after the war? What were the key events? And how did the community come to flourish again?

“The challenge in designing this exhibition was to turn this multi-layered and complex subject into an appealing experience for a broad audience.”

Herman Kossmann

KDJ

A layered exhibition

Rich, multi-layered images of personal and public moments of joy and mishap were combined with international influences and migration, and the differences in perception within and outside the community. Where does it jar? What makes people proud and what is painful? Which topics are subject of public debate – and which ones are rather discussed among friends and family? The exhibition aimed to both surprise and provoke a sense of recognition. The visitor encountered many more or less well-known people from different generations in interview and film fragments, all with their personal stories and properties. Many of the objects had been selected specifically for the exhibition and were shown for the first time.

Opening up

To accommodate the exhibition, the ceiling between the ground and first floors has been opened up, which does justice to the spatial experience of the synagogue. A cloud of over 60 suspended posters connected the exhibition on the ground floor both spatially and conceptually with the first floor, which hosted the permanent display previously designed by Kossmanndejong.